Bibliographie

L’Art lyrique et le music-hall. Journal indépendant des cafés-concerts, concerts et théâtres
Bibliographie de la France, ou Journal général de l’imprimerie et de la librarie
Le Café-concert. Journal hebdomadaire & illustré
La Chanson: journal de musique populaire
L’Echo
Eldorado-programme: journal artistique
La France moderne
La France musicale
La Fronde
La Lune
Gazette des salons. Journal des modes et de musique, artistique, littéraire et théâtral
Gil blas
Le Journal amusant
Le Ménestrel
L’Orchestre.
Le Petit parisien
Le Radical
La Revue et Gazette musicale de Paris
Paris qui chante
Les Soirées parisiennes
La Vie heureuse

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Angenot, Marc. Café-concert. Archéologie d’une industrie culturelle. With Diane Geoffrion. Montréal: CIADEST, 1991.

Angers, Martin, d’. “Les soirées de M. Orfila.” La Revue et Gazette musicale de Paris. November 2, 1845.

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––––––. Noise: The Political Economy of Music. Translated by Brian Massumi. Foreword by Frederic Jameson; afterword by Susan McClary. Minneapolis: University of Minnesota Press , 1985.

Atwood, William G. The Parisian Worlds of Frédéric Chopin. New Haven: Yale University Press, 1999.

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––––––. Daughters of Eve: A Cultural History of French Theater Women from the Old Regime to the Fin de Siècle. London and Cambridge, MA: Harvard University Press, 2001.

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––––––. “Mme Damoreau.” La Revue et Gazette musicale de Paris. November 15, 1840.

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Bushnell, Howard. Maria Malibran: A Biography of the Singer. University Park: Pennsylvania State University Press, 1979.

Caradec, François, and Alain Weill. Le café-concert. 2nd ed. Paris: Fayard, 2007.

Cardoza, Thomas. Intrepid Women: Cantinières and Vivandières of the French Army. Bloomington: Indiana University Press, 2010.

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Chadourne, André. Les cafés-concerts. Paris: E. Dentu, 1889.

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Claretie, Jules. “Du menuet au cake-walk. Le cake-walk.” Les Annales politiques et littéraires (June 14, 1903): 383–84.

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Coffin, Judith G. The Politics of Women's Work: The Paris Garment Trades, 17501915. Princeton: Princeton University Press, 2014.

Colette. L’envers du music-hall. Paris: Ernest Flammarion, 1913.

––––––.“La rentrée de Mistinguett, aux Folies-Bergère.” In La jumelle noire. Critique dramatique. Paris: Flammarion, 1949.

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Delestang, G. “Figures contemporaines. Jane Vieu.” La Rampe. May 17, 1908.

Devriès-Lesure, Anik. “La ‘musique à bon marché’ en France dans les années 1830.” In Music in Paris in the Eighteen-Thirties / La musique à Paris dans les années mil huit cent trente, edited by Peter Bloom, 229–50. Vol. 4, Vie musicale en France au dix-neuvième siècle. Stuyvesant, NY: Pendragon Press, 1987.

–––––––. “Technological Aspects.” Translated by Joop Beusekamp and Rudolf Rasch. In Music Publishing in Europe 1600–1900: Concepts and Issues, Bibliography. Vol. 1: The Circulation of Music, edited by Rudolf Rasch, 64–88. Berlin: Berliner Wissenschaftsverlag, 2004.

Devriès-Lesure, Anik, and François Lesure. Dictionnaire des éditeurs de musique français. Vol. 2, 1820–1914. Archives de l’édition musicale française. Geneva: Minkoff, 1988.

Dillaz, Serge. La chanson sous la Troisième République, 1870–1940. Paris: Tallandier, 1991.

––––––. “Diffusion et propagation chansonnières au XIXe siècle.” Romantisme, no. 80 (1993): 57–66.

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Dubé, Paul, and Jacques Marchioro. Du temps des cerises aux feuilles mortes: Un site consacré à la Chanson française de la fin du Second Empire aux Années Cinquante. http://www.dutempsdescerisesauxfeuillesmortes.net/index.html

Dussard, Hippolyte. “Compte rendu de l'Ouvrière.” Journal des économistes 30, 2e série (1861): 94.

Ellis, Katharine. “Female Pianists and Their Male Critics in Nineteenth-Century Paris.” Journal of the American Musicological Society 50, no. 2 (1997): 353–85.

E. [Escudier]. La France musicale. December 28, 1845.

Farr, James Richard. The Work of France: Labor and Culture in Early Modern Times, 1350–1800. Lanham, MD: Rowman & Littlefield, 2008.

Fauser, Annegret. “‘La Guerre en dentelles’: Women and the ‘Prix de Rome’ in French Cultural Politics.” Journal of the American Musicological Society 51, no. 1 (1998): 83–129.

––––––. Musical Encounters at the 1889 Paris World’s Fair. Eastman Studies in Music. Rochester, NY: University of Rochester Press, 2005.

Fitzlyon, April. The Price of Genius: A Life of Pauline Viardot. New York: Appleton-Century, [1964].

Foley, Susan K. Women in France Since 1789: The Meanings of Difference. New York: Palgrave MacMillan, 2004.

Forbes, Elizabeth. Mario and Grisi: A Biography. London: Victor Gollancz Ltd., 1985.

Forth, Christopher E. and Elinor Accampo, eds. Confronting Modernity in fin-de-siècle France. New York: Palgrave-MacMillan, 2010.

Fournel, Victor. Les cris de Paris. Types et physionomies d’autrefois. Paris: Firmin-Didot, 1887.

Fuchs, Rachel Ginnis. Gender and Poverty in Nineteenth-Century Europe. Cambridge: Cambridge University Press, 2005.

Fuller, Sophie. “‘The Finest Voice of the Century’: Clara Butt and Other Concert-Hall and Drawing-Room Singers of Fin-de-siècle Britain.” In The Arts of the Prima Donna in the Long Nineteenth Century, edited by Rachel Cowgill and Hilary Poriss, 308–24. New York: Oxford University Press, 2012.

Gay, Sophie. Salons célèbres. Paris: Michel Lévy Frères, 1864.

Gendron, Bernard. Between Montmartre and the Mudd Club: Popular Music and the Avant-Garde. Chicago: University of Chicago Press, 2002.

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Gordon, Rae Beth. Dances with Darwin, 1875–1910: Vernacular Modernity in France. Farnham, UK: Ashgate, 2009.

––––––. “Natural Rhythm: La Parisienne Dances with Darwin: 1875–1910.” Modernism/Modernity 10, no. 4 (2003): 617–56.

Goudeau, Émile. Paris qui consomme. Paris: Henri Beraldi, 1893.

Gouspy, Carol. “La représentation des chanteuses au café-concert. Les genres de la romancière comique et de la diseuse.” Volume ! La revue des musiques populaires 2, no. 2 (2003): 27–39.

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Guilbert, Yvette. La chanson de ma vie. Paris: Grasset, 1927.

––––––. How to Sing a Song: The Art of Dramatic and Lyric Interpretation. New York: Macmillan, 1918.

Gullickson, Gay L. Unruly Women of Paris: Images of the Commune. Ithaca: Cornell University Press, 1996.

Gutsche-Miller, Sarah. Parisian Music-Hall Ballet, 1871–1913. Rochester, NY: University of Rochester Press, 2015.

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Henson, Karen. “In the House of Disillusion: Augusta Holmès and La Montagne noire.” Cambridge Opera Journal 9, no. 3 (1997): 233–62.

––––––.“Introduction: Divo Worship.” Special issue: “The Divo and the Danseur.” Cambridge Opera Journal 19, no. 1 (2007): 19.

––––––.“Victor Capoul, Marguerite Olagnier’s ‘Le Saïs,’ and the Arousing of Female Desire.” Journal of the American Musicological Society 52, no. 3 (1999): 419–63.

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